Title: Album reviews; I am...Sasha fierce, by Beyoncé

Title: Album reviews; Untrue, by burial

Body: Maybe due to lack of exposure I hear all news from the first song to the last have some difficulties to some of the new generation of music. This can be partially explained I think digital downloads by the transfer of physical albums. Last I knew (for all I knew), Radiohead was the only band, create albums in the old school sense, collections of music that clearly with an ear towards cohesion, a larger story about the individual songs was produced.

GA_googleFillSlotWithSize (HELAD_publishercode, "articleatfmiddlearticle300x250", 300, 250); Not that this is the only way that together a catalogue of music, only that it is what I get the most from, on the interaction between the songs that get resonant breaks between them. Some recent(ish) examples of what I felt me like to complete, will be fully redeemed, albums mezzanine of massive attack and would be Kid A by Radiohead. And then there are of course always the classic dark side of the Moon or Abbey Road of the Beatles like Pink Floyd.

To think, music at full albums as I was ceasing, came from somewhere in the United Kingdom burial and Untrue. I love this album, especially because it's an album as a whole, not a collection of separate, taste of the minute each. Even though a few songs as singles, I rarely hear one of these songs individually: without title intro, a certain scene from Blade Runner brought immediately to my eye, the smoldering end of Dubstep album flows together as a novel by William Gibson: mysterious, familiar, old and new.

Fans of massive attack, DJ Shadow, and Ror-Shak will enjoy the Moody landscape of Untrue, but I suspect that the burial of an artist, who is to gain a whole new audience for electronic music. The bass drum is not in the head, and the small tap headache is not you. It's like a u-Bahn club DJ set listen to resonate between buildings, streets, and against the clouds on a midnight hot, hazy in July.

Title: Album reviews; Mute Math

Body: Mutemath

s/t

Tele prompt

Grade: B +.

If you think that accurate math would play mute math rock or hardcore, you are wrong. After the introductory electronic tracks "collapse,", if you think that only such ambient soundscapes, play mute math you are wrong. Instead, this New Orleans Act four-piece, which appears more euros than the American at the crossroads of pop-rock and electronics and in the process make some amazing music. Influenced by past sizes using the ancient strategies of the drawing and by their own, Mute Math guitar effects of U2, the vocals of sting and the atmosphere of Radiohead, borrow, as their way through the thirteen songs on the record silk. The guitars and atmosphere are on the first legit song "Typical", and after the short electronic "after we left our homes," sting element is reflected by Paul Meany vocals on "Chaos." The movement and Cadence on the follower "consider" further cements the parallel sting and the police. One might object to such Parallels, but it's a great sound and as songs are catchy and inspiring you cannot recognize not the attraction. Math mute their attractive interactions further during the in with additional highlights from "without it," the chill electronics on "Obsolete" and the throbbing "Image". After full exposure to the record can be thought rather LA, NYC, or Europe hardly Mute Math in New Orleans, Louisiana. If you do a chance to catch Mute Math it prior to the start selling out arenas.

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